MAYOR Bloomberg cut the ribbon and waiters poured the champagne in celebration of the opening of the third and final phase of the renewed, refreshed and expanded American wing at the Metropolitan Museum of Art. The ambitious roll out began in 2007 with the opening of galleries devoted to early 19th-century neo-classical art. In 2009 came the spacious, light-drenched Charles Engelhard Court with big sculptures and a huge, imposing bank facade. That was also the year the refurbished and wonderfully atmospheric period rooms re-opened. All that is on the museum’s ground floor; a snazzy glass elevator now brings visitors upstairs to the latest renovation, where 26 galleries occupy 30,000 square feet (10% more than before). Its opening is the highlight of New York’s annual Americana week, which includes specialist auctions and gallery shows.
This year the background noise is full of speechifying about America in the crowded race to become the Republican presidential nominee. Indeed these galleries themselves raise some uncomfortable questions about what it means to be American. But we will get to that
MORE via American art at the Met: America the beautiful—and homogenised | The Economist.
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